post-impressionist 雙語(yǔ)例句
1. Ann Sumner由奧利弗費(fèi)爾克拉夫, 安女士薩姆納 Hudson Hills Press, 02/2009, 176 pages, English哈得孫山出版社, 02/2009, 176頁(yè), 英語(yǔ) Show synopsis 展覽簡(jiǎn)介 In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauvist movements at a time when modern art, especially French art, was largely ignored in Britain.
在20世紀(jì)初，兩個(gè)非常有遠(yuǎn)見(jiàn)的威爾士婦女，格溫多蘭和瑪格麗特戴維斯，積累了在現(xiàn)實(shí)主義，自然主義，印象派，后印象派，野獸派畫(huà)家和運(yùn)動(dòng)的最重要的名字在時(shí)間的作品集當(dāng)現(xiàn)代藝術(shù)，尤其是法國(guó)的藝術(shù)，在很大程度上忽略了英國(guó)。
2. I admired Holbein, Giotto, and Da Vinci, and later I also came to like Ingres` work, and even Realism, Surrealism, and the work of Courbet, Dali, Duchamp and others. However, my biggest influences are the post-impressionist painters Cezanne and Gauguin.
我比較欣賞荷爾拜因、喬托和達(dá)?芬奇的作品，后來(lái)也喜歡安格爾的作品，甚至以后的現(xiàn)實(shí)主義，超現(xiàn)實(shí)主義作品，庫(kù)爾貝、達(dá)利、杜尚等，但就年齡和接觸面來(lái)講，后印象派的繪畫(huà)，塞尚、高更對(duì)我影響很大。
3. Impressionist artist through the light of the factual description of color, expression of feelings and objective color, to achieve an objective beyond the images, will be aimed at the performance of the real vision of realistic painting to the extreme, in the painting took on an objective color the peak of reproduction. On the third part in the post-Impressionist paintings reflect the emotional sense of color, as well as their respective art forms of the subjective performance of colorful language. In a rational representation of the arts have been almost perfect at the same time, post-Impressionist artist who is no longer satisfied with just an objective vision simply reproduce the true color images of natural feeling, they make their own color at the performance of the true free sensual, according to works and subject color images need to re-create, in order to emphasize the self-emotion, the performance of personality, its own subjective sense of emotional thinking and artistic expression as a new subject, in the spirit of performance art, the expansion of the oil color space and the existence function.
印象主義畫(huà)家通過(guò)對(duì)光色的如實(shí)摹寫(xiě)，表達(dá)了對(duì)客觀色彩的內(nèi)心感受，完成了對(duì)客觀物象的超越，將旨在表現(xiàn)視覺(jué)真實(shí)的寫(xiě)實(shí)繪畫(huà)發(fā)展到了極致，在繪畫(huà)色彩上走上了客觀再現(xiàn)的頂峰第三部分試述在后印象主義繪畫(huà)中體現(xiàn)出的感性意識(shí)色彩，以及其相應(yīng)的藝術(shù)形式色彩語(yǔ)言的主觀性表現(xiàn)，在理性再現(xiàn)藝術(shù)已近乎完美的同時(shí)，后印象主義畫(huà)家不再滿(mǎn)足于只憑視覺(jué)單純地客觀再現(xiàn)自然物象的真實(shí)色彩感覺(jué)，他們不惜使自己的色彩表現(xiàn)游離感官的真實(shí)，而根據(jù)作品主題和畫(huà)面的需要對(duì)色彩進(jìn)行再創(chuàng)造，以強(qiáng)調(diào)自我情感、個(gè)性的表現(xiàn)，將自己的感性思維和主觀意識(shí)作為藝術(shù)表現(xiàn)的全新主題，在表現(xiàn)性藝術(shù)精神之下，拓展了油畫(huà)色彩語(yǔ)言的存在空間和功能。
4. Van Gogh post-impressionist Why become one of the great masters of the three?
凡高為什么成為后期印象派的三大巨匠之一？
5. In 1921 champions of impressionist and post-impressionist art from France proposed a show.
1921年，法國(guó)的印象主義和后印象主義先鋒們想要舉辦一次展覽。
6. Van Gogh post-impressionist Why become one of the great masters of thethree?
凡高為什么成為后期印象派的三大巨匠之一？
7. Describes the life and work of the French Post-Impressionist artist, who tried new ideas in painting to express his love of nature.
這些觀念扎根于西方繪畫(huà)的偉大傳統(tǒng)之中，在包容性方面，甚至屬于藝術(shù)中最革命的觀念之列。
8. New York had its chance at the Armory Show of post-impressionist art, to see the work of the same artists.
紐約有幸在后期印象派藝術(shù)的武庫(kù)展覽中看到了那些畫(huà)家的作品。
9. Such sources include the Spanish Renaissance El Greco, medieval Gothic art, post-impressionist Paul Cezanne, black African sculpture, primitive art and so on.
這種淵源包括西班牙文藝復(fù)興時(shí)代的格列柯、中世紀(jì)的哥特藝術(shù)、后印象主義的塞尚、非洲黑人雕刻、原始藝術(shù)等等。
10. Impressionism paintings after the masters of simplified shapes and subjective color, drawing on the concepts and ideas I have a great impact, I choose to " Research on brief Characteristic of post-Impressionist paintings of the language " as the subject of the original intention of this thesis.
后印象主義繪畫(huà)大師們簡(jiǎn)約化的造型和主觀的色彩，對(duì)我繪畫(huà)的觀念和思路產(chǎn)生極大的影響，是我選擇后印象主義繪畫(huà)語(yǔ)言中簡(jiǎn)約特征的研究作為這次學(xué)位論文題目的初衷之所在。
11. Song literati painting and Western painting in the post-impressionist painting system in both the East and West occupy an important position nexus.
宋代文人畫(huà)與西方后印象派繪畫(huà)在東西方繪畫(huà)體系中均占有承上啟下的重要地位。
12. Vincent: A Dutch post-Impressionist painter whose work had a far-reaching influence on20th century art as a result of its vivid colors and emotional impact.
文森特?梵高：荷蘭后印象派畫(huà)家，作品以色彩之絢爛、情感之豐沛影響深遠(yuǎn)。
13. The under bidder is believed to have been Stavros niarchos, the Greek shipping magnate, who owns one of the world's greatest collections of Impressionist and post-Impressionist paintings.
其喊價(jià)對(duì)手據(jù)信是希臘船王斯塔夫羅斯尼阿爾喬斯，后者是全世界最大的印象派及印象派后期油畫(huà)作品收藏家之一。
14. Post-Impressionist painter in the understanding and use of color painting turned to the pursuit of subjectivity. Color performance of the excavation to be unlimited, and the techniques to be confirmed.
后期印象派的畫(huà)家在對(duì)色彩理解與運(yùn)用上轉(zhuǎn)向?qū)L畫(huà)主觀性的追求，色彩的表現(xiàn)巨大空間被無(wú)限量的挖掘，并在技法上得到證實(shí)。
post-impressionist的解釋
15. Post-impressionist, he is one of the three great masters.
他是后印象派的三大巨匠之一。
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